| 21 | Empowering Literature For Educating Character Building (A Study Case On Readers Of O. Henry's After Twenty Years) | JEE: Journal of English and Education 6 (1), 2012 | Authors: RK Trisnawati | 2012 | 2 |
| 22 | TESTING STUDENTS'ACCOUNTABILITY IN COOPERATIVE LEARNING CLASSROOM: A CASE STUDY OF WRITING 2 CLASS | JEE: Journal of English and Education, 77-90, 2010 | Authors: RK Trisnawati | 2010 | 0 |
| 23 | Employing Mary Whitebird’s short story Ta-Na-E-Ka to raise student’s ecological awareness | Jurnal Humaniora 26 (2), 213-224, 2014 | Authors: RK Trisnawati | 2014 | 5 |
| 24 | SHIFTING NOIR ELEMENTS: AN OVERVIEW ON NOIR FICTION IN SOUTHEAST ASIA | Jurnal Lingua Idea 8 (2), 71-97, 2017 | Authors: RK Trisnawati | 2017 | 0 |
| 25 | Post-structural Feminism to Fight Kyriarchy: A Case of Black Widow (2021) | Language Circle: Journal of Language and Literature 17 (1), 140-149, 2022 | Authors: NAP Saptiadi, RK Trisnawati, MF Agustina | 2022 | 0 |
| 26 | EMPOWERED WOMEN REPRESENTED IN RUPI KAUR’S'MILK AND HONEY' | Leksema: Jurnal Bahasa dan Sastra 7 (1), 85-93, 2022 | Authors: NP Adzkiya, RK Trisnawati, MF Agustina | 2022 | 0 |
| 27 | Saussure semiotic of animals in Zootopia (2016) | Leksika: Jurnal Bahasa, Sastra dan Pengajarannya 15 (2), 77-83, 2021 | Authors: KN Haris, MF Agustina, RK Trisnawati | 2021 | 0 |
| 28 | Frederick Douglass’ Narrative of the Life of Frederick Douglass: Between the Expressions of Unpleasant Feeling and Freedom Gaining on Slavery | LITE: Jurnal Bahasa, Sastra, dan Budaya 4 (2), 106-115, 2008 | Authors: RK Trisnawati, R Februansyah | 2008 | 0 |
| 29 | The Noir: Reading the Contemporary Southeast Asia (A Study on KL Noir, Singapore Noir And Manila Noir) | LITERARY STUDIES CONFERENCE 2014, 89, 2014 | Authors: RK Trisnawati | 2014 | 0 |
| 30 | Markey’s Denial to Cope Grief in Niven’s All the Bright Places | Metathesis: Journal of English Language, Literature, and Teaching 6 (2), 190-198, 2022 | Authors: N Hartati, MF Agustina, RK Trisnawati | 2022 | 0 |
| 31 | “PLEASE DON’T TREAT ME LIKE A SERVANT. I DO HAVE MY RIGHTS”: INDONESIAN MIGRANT DOMESTIC WORKERS (IMDWS) WRITE BACK IN FAMILIAR STRANGERS (2018) | Poetika: Jurnal Ilmu Sastra 10 (1), 69-77, 0 | Authors: RK Trisnawati | 0000 | 0 |
| 32 | KEMANDIRIAN TOKON JULES OSTIN SEBAGAI TOKOH WANITA KARIR DALAM FILM “THE INTERN”(2015) | Prosiding 10 (1), 2021 | Authors: D Ardiarti, RK Trisnawati | 2021 | 0 |
| 33 | Gema Dari Menara (1968): Amar Ma’ruf Nahi Mungkar as Islamic Da’wahism in Bruneian Film | Southeast Asia: A Multidisciplinary Journal Volume 20 Issue 2 2020, 66 | Authors: N Noorashid, NR Mohamad, RK Trisnawati | 0000 | 0 |
| 34 | Hegemony of White Beauty Standard in Toni Morisson’s The Bluest Eyes | Thesis. Yogyakarta: Universitas Gadjah Mada | Authors: RK Trisnawati | 2009 | 3 |
| 35 | Hegemony of white beauty standard in Toni Morrisons the Bluest Eye | Universitas Gadjah Mada, 2009 | Authors: RK Trisnawati | 2009 | 3 |